TEH JOGGING

DA ART MUESUM’S FORMAR SOURCES OF CULTURAL CAPITAL HAEV SINC3 BCOME TEH CRAX IN ITS WALS!!1!1!1 WTF LOL PRESENTATIONALY CLUNKY AND 3NERGY IENFICEINT IN ITS ORGANIZATION 2DAY’S ART REPOSI2REIS R DESTIEND 2 SUFER AN IRONIC FAET NOT UNLIEK TEH MUSCL3S CARS OF DA 1950’S!!!1!! LOL THINK OF IT AS DA MCA[1] VS!1!!!! OMG WTF LOL MAC WIT TECHNOLOGY ACTNG AS BOTH TEH CAUES AND AF3CT OF OUR NU UESR-DRIEVN OUTLOK!1!11!!1 THES SHIFT SI WUT MAEKS TRAEVLNG 2 BLOKBUSTER VIEDO LOK SADLEY INCOMPETENT COMPAERD 2 TEH 3AES OF INSTANT VEIWNG ON N3TFLIX!!!1111! OMG WTF INFORMATION HAS NOT ONLEY BAN DEC3NTRALIEZD BUT MA-CANTRALIEZD!11!!! WTF CN NOW TAEKS ROUTIEN BREAKS DURNG THERE N3WSCAST 2 READ TWETS SANT FROM TEH SHOW’S AUDEINCE!1!1!11! LOL PROMIENNT INFORMATION SOURC3S’ DAYS OF ONA-WAY DICTATION R FADNG AS SOCEITY DEMANDS A MOR3 ACTIEV ROLE IN TEH CONTENT OF WT CONSUME!11!1111! WTF THES DO3S NOT BODA WEL FOR MUESUMS LONG EMPOW3R3D BY THEYRE ABILITY 2 EXCLUDE DA MAJORITY OF ART(ISTS) AND NAROWLEY CREAET A UNIFEID HIS2RY
WELCOMA!11!111!1 LOL 2 M3RICA’S PRIKLEY TRANSFORMATION FROM AN INDUSTRIAL 2 A CREATIEV S3RVIEC 3CONOMY!!1!!111! OMG LOL AS 3NDORS3D BY TH3ORIST RONALD JONAS 1960’S CONCEPTUAL ART WAS A PREVEIW FOR DA WEST’S DASKILNG AND D3M8RIALIZNG CHANGES 2 COMA!!!!! WTF RICHARD NIXON ENDED TEH DOLAR’S CONV3RTIBILITY 2 GOLD IN 1971 THRE Y3ARS AFTAR LAWRENCE WEINER STAETD IN HIS ICONIC 1968 TAXT PEICE DACLARATION OF INT3NT
1!!1!!!!! WTF LOL TEH ARTIST MAY CONSTRUCT DA PEICA
!!11!11!1 WTF 2!11!!1 WTF LOL TEH PEICA MAY B FABRICAETD
!1!1!1!1 OMG LOL 3!!!1111! OMG LOL TEH PEICA NED NOT B BUILT
ULTIMAETLEY!1!!! LOL FOR W3IENR HIS ARTWORK WAS BUILT IN TEH FORM OF VINYL LETERNG GLU3D 2 A WHIET WAL!11!!11! OMG FOR A MOV3M3NT IEDOLOGICALY MBIVAELNT AT BST 2WARDS ART OBJACTS TEH FIRST CONCEPTUAL GANERATION CONTRADIC2RILEY TAEKS UP AS MUCH SPAEC AS ANY OTHER MOV3MENT IN 2DAY’S ART MUESUMS!1!1! LOL HOWEV3R EARLEY CONC3PTUAL ART ALSO LAK3D DA T3CHNOLOGY 2 LIEV UP 2 ITS OWN IEDALS!1!!1!! AT TEH TIEM INFORMATION WAS IENXTRICABLEY LINK3D WIT TEH SNGULAR FORMATS TAHT PR3S3NT3D IT!!!111 OMG WTF DIGITAL DATA SI FUNGIBLE AND CAN JUMP FROM ON3 PLATFORM 2 ANOTHAR!1!!!111 FOR THIS WE HAEV T3L3VISION ON PHON3S!!!1!!11 OMG OUR DIGITAL WORLD SI CONCEPTUAL ART’S DREM COM3 TRU3- AN OPEN SOURCA FOR IM8RIAL INFORMATION
CONTAMPORARY!!!11 OMG WTF LOL ARTISTS HAEV PUT THES GROUNDBREAKNG OPORTUNITY 2 UES BY CREATNG THERE OWN WORK MOD3S OF PR3SANTATION AND ART-MADIA ONLIEN!!!11!11! WTF THES SI NOT 2 SAY INT3RNET ART AXISTS EXCLUSIEVLEY AS A SAPARATIONIST MOV3MANT FROM TRADITIONAL VEIWNG FORMATS!!1!!!!!! OMG WTF LOL ON DA CONTRARY MANY ONLIEN ART-N3WS SOURCES R DEDICAETD 2 COVERNG M8RIAL EXHIBITS WORLDWIED!!!!1!! OMG ONLIEN VEIWERSHIP OF INSTALATION IMAEGS OFT3N SURPASES TEH FOT TRAFIC RAC3IEVD BY TEH GALAREIS THASA PICTURES R TAEKN IN A FANTASTIC ILUSTRATION OF TEH PROCES ART THEORIST JAK BURNHM DESCRIEBS WHEREBY “MOR3 ORGANIEZD SYSTAMS ALWAYS GANE INFORMATION AND 3NERGY FROM L3S ORGANIEZD SYST3MS”!!1!11!!1 WTF IENFICEINCY ISN’T JUST A PANALTY FOR TEH IGNORANT BUT ALSO A LUXURY ENJOY3D BY DA ABL3!!1!1 WTF FOR THOSE WHO CAN’T AFORD TEH GLOBAL TRAEVL 2 SE WORK FIRST HAND OR WANT 2 SE MORE NU AXHIBITS THAN A LOCAL MONTHLEY DOS3 DIGITAL VEIW3RSHIP SI A N3CASITY 2 MANETANE A RALEVANT UNDARSTANDNG OF A RAPIDLEY CHANGNG ART WORLD
IN!!!111 LOL ART’S VEIW3RSHIP AND ELSEWHERA COMPRESION SI ANOTHAR FITNG THAME FOR DA SHIFT WE R UNDERGONG!!11!!!11 OMG WTF WHETHER IT’S A 14-CHARACT3R LIMIT ON TAXTUAL COMUNICATION OR A 10-FOT SCULPTUR3 PRASANT3D AT 50 PIEXLS W3 R BNG TRANEAD 2 COMPR3H3ND MOR3 WIT LAS!!!11 OMG WTF THEYRE AER WITHOUT DOUBT QUALITATIEV TRAED OFS IN THES PROCES- AS WIT AL CHANGES IN COMUNICATION!1!!1!11! OMG LOL SOCRAETS LM3NT3D DA WRITAN WORD AS SO PALTRY COMPAERD 2 TEH ORAL TRADITION TAHT H3 BLEIVED TEH WORLD WUD NEVER SE ANOTHER GENIUS AGANE!11!!!!1 WTF EV3RY T3CHNOLOGICAL RAVOLUTION SI MAT WIT APREHENSION FROM THOSE WHOS3 FORMER METHODS HAEV BEN DISPLAECD!!!!!11 WTF TEH DIGITIZATION OF ART’S VEIW3RSHIP DEMANDS WA SWITCH 2 WUT VENTURE CAPITALIST FRED WILSON COIEND AS A FREMIUM ECONOMY!!1!1 OMG WTF LOL THES SI WHERE DA PRIMARY GOD OF DA MARKET SI GIEVN AWAY FOR FRE (IN OUR CAES DIGITALY) AND VEIWERS WHO WUD LIEK 2 3NJOY A PREMIUM VARSION OF IT R ABL3 2 DO SO FOR AN AD3D COST (THROUGH PHYSICAL VEIW3RSHIP/OWN3RSHIP OF OBJ3CTS)!!1!1!! OMG WTF LOL A FREMIUM ECONOMY REQUIERS TEH VEIWNG PUBLIC 2 CHANG3 THERE PERC3PTION OF IMAEGS OF ART IN MADIA FROM DOCUMENTATION OF OBJECTS 2 IM8RIAL WORKS OF ART IN TH3MSALVAS
PERHAPS!11!!!! LOL IT SI MARELEY AN ILUSION TAHT OBJECTS R STIL TEH PRIEM BAERRS OF M3ANNG 2 TEH NON-ART-COLECTNG PUBLIC ANYWAY!!!!! OMG LOL AS PROPHESIEZD BY MARSHAL MCLUHAN SOCEITY HAS AND CONTINU3S 2 P3RCAIEV DA WORLD AROUND IT ACORDNG 2 DA S3COND-HAND INFORMATION MEDIA PROVIEDS!!!1!1! WTF NO ON3 WAS MORE ACUTE IN NOTICNG TEH R3LATION OF MCLUHAN’S THEORY 2 DA ART WORLD AS DA ARGENTIENAN COMUNICATION MEDIA GROUP OF TEH 1960’S!!11!!!1 OMG LOL IN THERE MANIEFS2 ROBR2 JACOBY STAETS
WE R TAKNG A KAY CHARACT3RISTIC OF DA MEDIA 2 ITS LOGICAL CONCLUSION DA UNMAKNG OF OBJECTS … 2DAY DA WORK OF ART SI A SET OF RESULTS OF A PROC3S TAHT BGINS WIT MAKNG TEH WORK AND CONTINUES UNTIL TAHT WORK TURNS IN2 M8RIAL TRANSMIT3D BY DA MAS MEDIA!1!!111!! OMG LOL NOW WA R PROPOSNG AN “ARTWORK” IN WHICH DA MOM3NT OF CR3ATION DISAP3ARS B/C THES SI A WAY OF COM3NTNG ON DA FACT TAHT TH3SE WORKS R RILLY A PR3T3XT 2 S3T OF A ROUND OF MEDIA ACTIVITY
2!!1!1! OMG WTF LOL PUT THES IN 2DAY’S CONTAXT IF OUR DIGITAL MEDIA SOURCES R FRE AND M3DIA TRULEY DO3S DOMINAET OUR PERCEPTION OF ART TH3N DA ART MARKET SI ALREADY A FREMIUM ECONOMY!1!1!1! OMG WTF LOL WIERD ADI2R CHRIS ANDERSON NOTES TAHT THEIR R RILLY ONLEY TWO MARKETS THOSE TAHT OF3R GODS FOR FRE AND THOSA TAHT DON’T!111!!1 WTF LOL IN THAS3 ‘FRE’ MARKETS D3MAND AND PARTICIPATION SHOT UP IN NON-LIENAR WAYS DUE 2 DA LAK OF BAREIRS 2 3NTRANC3!1!!1 TEH DIGITAL OF3RS AN 3MANCIPA2RY CHANCE FOR A SIGNIFICANTLEY LARG3R SACTION OF OUR POPULATION 2 3NGAEG IN ART ALOWNG CONTRIBUTIONS AT A RAET N3VER BFORA SEN!11!1!!! WTF LOL SO LONG AS TEH PODIUMS WE CREAET ONLIEN CEAES 2 B AS EXCLUSIONARY AS THERE PRED3CESORS WE SHUD LOK 2 TEH DIGITAL FUTURE OF CREATION AND VEIW3RSHIP WIT UNBRIDLAD OPTIMISM
[1]!1!!!1 LOL DA MCA SI AN ACRONYM FOR TEH MUESUM OF CONTAMPORARY ART FOR THOSA UNFMILIAR NON-CHICAGO R3SIEDNTS

8:56 pm • 21 March 2010